still life montage
This series of still-life montages digitally layers tabletop photography, painting, and assemblage. Though the process relies heavily on technology, it is important to me that the work conveys a sense of intimacy and emotional weight, qualities that one does not often associate with technology. I see the works themselves as
mood pieces, exploring themes of loss, vulnerability, longing, growth and decay.
The fragile beauty of birds, flowers and small plants has always seemed an apt metaphor for the ephemeral preciousness and variety of life itself. In addition, for a long time I have been drawn to organic materials such as wood and oil paint for their primal physical presence. I had been working with these materials for many years before digital technology came along, so it felt only natural to incorporate them into my digital work. I also like the way the early photographic techniques left artifacts of the process on the finished print, adding both an abstract poetry and a reference to their creation. I suppose I am after a similar effect. The scanned and photographed painted textures in the montages are built layer upon layer of brushed, scraped, rubbed, and glazed oil or acrylic paint. One step leads to the next, applying the paint in one way or another, then responding to that, over and over. When I am compositing the scanned textures and photographs on the computer, the process in analogous. Instead of applying layer upon layer of paint, I am continually re-working layers of images and textures, trying different opacities and blending strategies, dodging and burning, etc. I see each new layer as analogous to an event in the life of the piece, one leading to the next. In this way, even those layers that end up invisible in the finished version, much like forgotten events in our lives, have somehow contributed to